MADE by HUMAN is a series that affirms the irreplaceable essence of human creativity in an era increasingly shaped by artificial intelligence. Unlike algorithmic outputs generated by machines such as the artist robot Aida, this body of work is rooted in the intuitive, emotional, and experiential dimensions of human expression. It celebrates the imperfections, instincts, and imaginative leaps that define the creative process, the qualities that cannot be replicated by code or computation. At its core, the series engages with nature as both subject and metaphor. Through cross-digital techniques, it blends traditional artistic sensibilities with contemporary digital tools, forging a hybrid aesthetic that challenges the boundaries between the organic and the synthetic. The result is a visual language that is at once familiar and futuristic, where floral forms, landscapes, and natural textures are reimagined through geometric abstraction, layered color fields, and algorithmic distortion. Philosophically, MADE by HUMAN draws from post-humanist and phenomenological thought, questioning what it means to create in a world where machines can mimic — but not embody — human intention. It proposes a new kind of digital aesthetics, where the artist’s instinctive gestures are mediated through technology yet remain deeply personal and embodied. The series invites viewers to reflect on the evolving relationship between nature, technology, and the human hand, suggesting that true innovation lies not in automation, but in the conscious integration of tools and the human spirit. In this way, MADE by HUMAN is not just a collection of artworks; it is a manifesto for the enduring relevance of human creativity. It asserts that even in a landscape dominated by artificial systems, the human touch continues to generate meaning, beauty, and emotional resonance that transcend the digital.

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Cross-digital techniques & Variables formats

2022 — 2025

made

by

human

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